also wenn man z.B. danach googelt, dann findet man auch genügend
Einträge, in denen die Technik haargenau beschrieben wird...
1. sit on the drummer's throne/stool.
2.Hold both drum sticks end-to-end so that you have a measuring device ( aprox. 16"...give or take).
3. place the tip of one end of your new double- length-drums-stick-measuring-device in the center of the [g=149]snare[/g] with the "drum sticks" held vertically.
4. The other end will now(depending on how tall you are) be a little above and in front of your forehead.
5. Place a mic here. I've been aiming it down at the [g=149]snare[/g] as of late...
6. With the tip of the "drum sticks" still in the center of the [g=149]snare[/g], angle the "stick back and down, so that's it's to the right of your right shoulder ( about a 45 degreee angle)
7. Use amic cable. Measure the distance of the over the [g=149]snare[/g] mic to the center of the kick drum. Check that the "right shoulder" mic is also the same distance.
8. Doulble check the [g=149]snare[/g] distance again.
9. As far as where to face them...experiment. I like the extra [g=149]snare[/g] reinforcement, so as of late I\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'ve been facing them both at the [g=149]snare[/g]. facing them at the [g=211]rack[/g] and floor toms also produces good results.
10. one last thing to check. with headphones on, both "OH" mics in your cue mix (only them) .fine tune the placement (i.e. adjust their orientation...usualliy just moving the shoulder one) untill the kick is in the center of your "image"
11. When your done you'll notice that at first glance, this looks very weird and unsymmetrical. Yet it is very symmetrical in it's result. A. [g=211]Rack[/g] toms are higher off the floor than floor toms, so this arrangement actually follows the contour of the toms as they really are. Standard OH micing doesn\\\\\\\\\\\\\\\\\\'t take this into account, and as such are usually no more than "[g=57]cymbal[/g] mics". Most of them time you see mixers pulling the OH\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s down to -10 or more in the mix because of the over abundance of cymbals and badly phased [g=149]snare[/g]/kick/toms in the "OH\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s". I tend to focus my OH on being a cornerstone of my whole kit sound, and as such, and have spent great pains into making the [g=149]snare[/g]/kick/tom elements speak as well as possible. I guess you could say I'm a "drum bigot". It's just that if you "ignore" the cymbals you actually are going to hear them anyway...like the hat, there just so damn loud.