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Deathofsincerity
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Once the submission deadline has closed on the 12th August 2021, the team at Spitfire Audio and Stargirl’s Series Composer, Pinar Toprak will select the winner based on the following criteria:
THE INDIVIDUALITY OF YOUR SCORE
You don’t have to match the original score, or what Pinar Toprak has done for the rest of the series. You could choose to program an orchestra, record live instruments or your voice, or maybe use a blend of synthesizers and free libraries like LABS. It’s about what YOU do with this scene with fresh eyes and ears.
HOW WELL YOUR SCORE SUITS THE VISUALS
Your music should sit well with the activity on screen. Are you working around the dialogue and FX? Have you hit the cue points? Does your score keep up with the pace of the visuals?
HOW YOU HANDLED THE EMOTIONAL CONTENT IN THE SCENE
The school bus scene that Pinar Toprak has chosen goes from intense action to drama very quickly and you’ll have to handle both of them with care.
https://www.spitfireaudio.com/starg...ium=email&utm_campaign=Be+A+Scoring+Superhero
THE INDIVIDUALITY OF YOUR SCORE
You don’t have to match the original score, or what Pinar Toprak has done for the rest of the series. You could choose to program an orchestra, record live instruments or your voice, or maybe use a blend of synthesizers and free libraries like LABS. It’s about what YOU do with this scene with fresh eyes and ears.
HOW WELL YOUR SCORE SUITS THE VISUALS
Your music should sit well with the activity on screen. Are you working around the dialogue and FX? Have you hit the cue points? Does your score keep up with the pace of the visuals?
HOW YOU HANDLED THE EMOTIONAL CONTENT IN THE SCENE
The school bus scene that Pinar Toprak has chosen goes from intense action to drama very quickly and you’ll have to handle both of them with care.
https://www.spitfireaudio.com/starg...ium=email&utm_campaign=Be+A+Scoring+Superhero