Habe gerad mal ins Manual von Kontakt geschaut. Dort steht:
There are a few other details to keep in mind when you’re working with Group Insert Effects:
- Group insert modules work in a polyphonic fashion, which means that their effect will be computed separately for each voice that you play. In some cases, this can result in different sounds than you might expect, for instance when you use compressors or distortion effects. This behavior allows you to create modulations that work on a per-Voice basis, such as velocity-controlled distortion, or key-tracking filters. Keep in mind, though, that in consequence, this multiplies each module’s CPU resources by the number of voices; if you don’t need Group-specific or polyphonic processing, it’s more efficient to move a module into the Bus or Instrument Insert Effects chain instead, where it will operate on the summed signal.
- Most parameters of Group insert effects can be modulated internally via a modulation matrix. This matrix can be accessed via the Modulation button in the lower left corner of an effect panel. KONTAKT’s modulation system is explained in detail in section Modulation in KONTAKT .
Dass es nun funktioniert widerspricht nicht den vorherigen Aussagen, dass jede Stimme ein separates Filter benötigt um den von Dir gewünschten Effekt zu erzielen. Denn das hast Du ja jetzt auch gemacht.
