Hintermann
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- 18.07.03
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hallo,
diesen text habe ich mir im nuendo forum kopiert - da ist jemand der davon überzeugt mit diesem minimalismus anständige drumaufnahmen hinzubekommen - ich kann nicht sagen ob das hinhauen kann, weiss aber, dass das keine verarsche ist. vielleicht probiert es mal jemand aus und berichtet darüber - vielleicht weiss auch jemand aus dem workshop bereich (bands im proberaum aufnehmen) darüber bescheid.
hier der text, leider nur in englisch
here's my trick. It's fast and it works perfect every time.
1. Place the "Left" overhead mic directly over the center of the [g=149]snare[/g] at the hieght of two drum sticks-held end-to-end(from the center of the [g=149]snare[/g], straight up, to the capsule of the mic).
2. Next; take the drum sticks (still held end-to-end) from the center of the [g=149]snare[/g] over to above your ( i.e." the drummers") right shoulder and place your "right" overhead mic here.
3. Fine tune the placement by using a mic cable and measurinb the distance from the center of the Kick to each of these mics is also equidistant from the kick and [g=149]snare[/g].
4. listen with headphones and have the drummer lightly hit his kick drum, and adjust the "right" mics angle until the kick is in the middle of your "image".
What this has done is:
1. Place the [g=149]snare[/g] & the kick in the center when you pan these mics hard left and right.
2. Place the overheads in a position which is in-phase with the kick,[g=149]snare[/g] and overheads.
3. [g=185]balanced[/g] the over heads so that the [g=211]Rack[/g] and floor Toms (as well as all cymbals) are correctly ballanced.
this is actually a great "picture" of the kit at this point. maybe a hair of Top end (depending on what mics your using) and a little this, and a Kick mic. BUT whatever you add ([g=149]snare[/g] mics, toms, etc) you ll now be inphase. This also makes your [g=149]snare[/g] & toms louder inrelation to the cymbals & is more of a true OH mic set-up (Not just "[g=57]cymbal[/g]" mic's )
diesen text habe ich mir im nuendo forum kopiert - da ist jemand der davon überzeugt mit diesem minimalismus anständige drumaufnahmen hinzubekommen - ich kann nicht sagen ob das hinhauen kann, weiss aber, dass das keine verarsche ist. vielleicht probiert es mal jemand aus und berichtet darüber - vielleicht weiss auch jemand aus dem workshop bereich (bands im proberaum aufnehmen) darüber bescheid.
hier der text, leider nur in englisch
here's my trick. It's fast and it works perfect every time.
1. Place the "Left" overhead mic directly over the center of the [g=149]snare[/g] at the hieght of two drum sticks-held end-to-end(from the center of the [g=149]snare[/g], straight up, to the capsule of the mic).
2. Next; take the drum sticks (still held end-to-end) from the center of the [g=149]snare[/g] over to above your ( i.e." the drummers") right shoulder and place your "right" overhead mic here.
3. Fine tune the placement by using a mic cable and measurinb the distance from the center of the Kick to each of these mics is also equidistant from the kick and [g=149]snare[/g].
4. listen with headphones and have the drummer lightly hit his kick drum, and adjust the "right" mics angle until the kick is in the middle of your "image".
What this has done is:
1. Place the [g=149]snare[/g] & the kick in the center when you pan these mics hard left and right.
2. Place the overheads in a position which is in-phase with the kick,[g=149]snare[/g] and overheads.
3. [g=185]balanced[/g] the over heads so that the [g=211]Rack[/g] and floor Toms (as well as all cymbals) are correctly ballanced.
this is actually a great "picture" of the kit at this point. maybe a hair of Top end (depending on what mics your using) and a little this, and a Kick mic. BUT whatever you add ([g=149]snare[/g] mics, toms, etc) you ll now be inphase. This also makes your [g=149]snare[/g] & toms louder inrelation to the cymbals & is more of a true OH mic set-up (Not just "[g=57]cymbal[/g]" mic's )