Lieferzeiten
Moin Moin!
Hatten wir den schon?
Preview:
https://soundcloud.com/nolly/days-on-juno-colours
Zur Info!
https://www.facebook.com/events/186990728105868/
Spuren: (Alles Wave-Dateien ca. 550 MB)
http://www.redseasfire.co.uk/DOJCOLOURSMIXCOMPETITION.zip
Notes:
The tempo of the track is 185BPM. The following are some notes on the recording process:
Unless stated otherwise, all tracks are provided raw but are edited and consolidated, so that they will all line up when started from the same point in a session.
The drum tracks are raw audio bounces from Toontrack's Superior Drummer 2.0. I used several different Toontrack sample libraries for the different kit elements, with the default Avatar pack forming the bulk of the sounds. I also used the 3rd party pack Joe Barresi's Evil Drums for its kick drum and snare ambience, while Metal Foundry provides the hi-hat samples. Note that the close mic tracks have bleed from the rest of the kit for a more realistic sound.
In addition to standard close mics, overhead and room mics, I used a mono ambient track on the snare only, and a stereo ambient track for the snare and toms only, to be used as reverb track if you wish.
Guitars were recorded exclusively with a Fractal Audio Axe-FX II, using a stock Epiphone SG for all distorted tones, and a Fender Custom Shop Stratocaster for the clean parts.
Bass is a Fretking Perception bass with a Bare Knuckle P/J pickup set, recorded DI through a Chandler Germanium preamp.
Vocals were tracked with a Shure SM7b through an Audient MiCO preamp. These tracks were printed through moderate compression, light EQ and a touch of room reverb. I do not have the completely raw files anymore unfortunately, but these will still need plenty of further mixing.
Some thoughts on what I'm looking for in entries:
- Powerful sounds with good control of frequency response especially in the low end.
- Clarity and width, while still being well "glued" together.
- Creative use of panning, automation and effects, especially with regard to the vocal tracks.
- Commercial loudness level without clipping, excessive pumping or low end reduction.
All music is copyright of Days On Juno 2012
Hatten wir den schon?
Preview:
https://soundcloud.com/nolly/days-on-juno-colours
Zur Info!
https://www.facebook.com/events/186990728105868/
Spuren: (Alles Wave-Dateien ca. 550 MB)
http://www.redseasfire.co.uk/DOJCOLOURSMIXCOMPETITION.zip
Notes:
The tempo of the track is 185BPM. The following are some notes on the recording process:
Unless stated otherwise, all tracks are provided raw but are edited and consolidated, so that they will all line up when started from the same point in a session.
The drum tracks are raw audio bounces from Toontrack's Superior Drummer 2.0. I used several different Toontrack sample libraries for the different kit elements, with the default Avatar pack forming the bulk of the sounds. I also used the 3rd party pack Joe Barresi's Evil Drums for its kick drum and snare ambience, while Metal Foundry provides the hi-hat samples. Note that the close mic tracks have bleed from the rest of the kit for a more realistic sound.
In addition to standard close mics, overhead and room mics, I used a mono ambient track on the snare only, and a stereo ambient track for the snare and toms only, to be used as reverb track if you wish.
Guitars were recorded exclusively with a Fractal Audio Axe-FX II, using a stock Epiphone SG for all distorted tones, and a Fender Custom Shop Stratocaster for the clean parts.
Bass is a Fretking Perception bass with a Bare Knuckle P/J pickup set, recorded DI through a Chandler Germanium preamp.
Vocals were tracked with a Shure SM7b through an Audient MiCO preamp. These tracks were printed through moderate compression, light EQ and a touch of room reverb. I do not have the completely raw files anymore unfortunately, but these will still need plenty of further mixing.
Some thoughts on what I'm looking for in entries:
- Powerful sounds with good control of frequency response especially in the low end.
- Clarity and width, while still being well "glued" together.
- Creative use of panning, automation and effects, especially with regard to the vocal tracks.
- Commercial loudness level without clipping, excessive pumping or low end reduction.
All music is copyright of Days On Juno 2012
Cooler Song.
