Free VST-Synth Empfehlung - "Oatmeal"

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kasimiruslav

kasimiruslav

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Hi

Leudz, bin eigentlich nicht der grosse Synthfreak ... aber das Teil ist wirklich gut für Lau...

hab gerade mal ein wenig damit herumgespielt...toll

hatte das Ding vor ein paar Wochen verworfen weil die GUI so potthässlich war... aber jetzt gibts neben presetbänken auch schicke skins dazu usw.

http://lesitedeburnie.free.fr/Oatmeal-37-2-full-pack.zip

Hier die Feature-Liste (erstaunlicherweise wird der obergeile [g=1]Arpeggiator[/g] gar nicht erwähnt!!!)

Oatmeal is a two-oscillator subtractive synth.

Features

Two oscillators:

* Waveform: sine, sawtooth, pulse (square), triangle, user, and "user PWM".
* [g=182]Amp[/g]: Amplitude of the oscillator.
* Tpitch ([g=100]aftertouch[/g] > pitch): The effect of note [g=21]velocity[/g] and later pressure changes on the oscillator's pitch.
* Pulsewidth, PWM rate, PWM depth. These are ignored unless the waveform is "pulse" or "user PWM", in which case they set the base pulsewidth and the modulation rate and depth.
* Trans (transpose): Transposition of the second oscillator relative to the first (i.e. the voice's pitch).
* Detune: Constant frequency shift of the second oscillator.
* Touch ([g=100]aftertouch[/g] > osc amp): The effect of note [g=21]velocity[/g] and pressure changes on both oscillators' amplitude.

Noise (white or bandpassed):

* [g=182]Amp[/g]: Noise amplitude.
* Touch: The effect of note [g=21]velocity[/g] and pressure changes on the noise level.
* [g=26]Resonance[/g]: If this is 0, unfiltered white noise is generated. Higher values increase the [g=26]resonance[/g] of the bandpass [g=43]filter[/g], making the output purer.
* Transpose: Transposition of the [g=43]filter[/g]'s center frequency relative to the note.

[g=43]Filter[/g]:

* [g=43]Filter[/g] type.
* Double ([g=43]filter[/g] doubling): If this is enabled, two copies of the [g=43]filter[/g] are run in parallel. See the "split", "mix", and "speed ratio" parameters.
* Cutoff: Cutoff or center frequency of the [g=43]filter[/g].
* Track (keytracking): In octaves/octave: if it is 1, an increase in the voice's pitch of one octave will cause the cutoff to increase by the same amount.
* Reso ([g=26]resonance[/g]): [g=26]Resonance[/g] of the [g=43]filter[/g] (if applicable).
* Split: If doubling is on, the second [g=43]filter[/g]'s cutoff frequency will be this much higher than the first's.
* Mix: If doubling is on, this changes the output amplitude ratio between the two filters.
* Touch ([g=100]aftertouch[/g] > cutoff): The effect of note [g=21]velocity[/g] and pressure changes on both filters' cutoff frequencies.
* Mod (envelope modulation): Strength and direction of the [g=43]filter[/g] envelope's effect.
* [g=21]Velocity[/g]: Effect of note [g=21]velocity[/g] on the envelope modulation depth, not on the [g=43]filter[/g] cutoff itself.
* [g=43]Filter[/g] envelope: For details, see the envelope block below.
* Speed ratio: If doubling is on, the second [g=43]filter[/g]'s envelope will move at this rate relative to the first's.

Envelope:

* Attack: The time it takes for the level to reach 1.
* Hold: After reaching 1, the level stays there for this long.
* Decay 1: The time it takes for the level to reach the breakpoint; however, if the breakpoint is set to 1 (0 dB), this is skipped.
* Breakpoint: The point reached after the first decay phase (see just above to see what happens if you set this to 0 dB); immediately followed by
* Decay 2: The time taken for the level to change from the breakpoint to the sustain level.
* Sustain: Sustain level.
* Release: Release time.

[g=23]Distortion[/g]:

* Type: Hard clip, soft clip (tanh), sine (which can produce fm-like timbres or, failing that, horrible noise), or asymmetric.
* Mode: This sets where the [g=23]distortion[/g] is applied:
Global: i.e. once, after summing all the [g=90]voices[/g].
Per voice: after the [g=43]filter[/g].
Per voice: before the [g=43]filter[/g].
Double: i.e. per voice before the [g=43]filter[/g] and then again after summing the [g=90]voices[/g].
* Oversample: Oversamples the [g=23]distortion[/g] to reduce aliasing.
* Pregain.
* Limit: The level at which the signal is clipped (or the amplitude of the sine).
* Postgain: In double mode, this is not applied to the per-voice [g=23]distortion[/g].

[g=52]Chorus[/g]:

* Mode: Sine, Ramp, and FM are essentially the same thing with different LFO shapes. Irregular is a bit different: the delay times of the [g=90]voices[/g] vary randomly within the given range.
* Mode (aga




Gruss, Kasimiruslav
 
cool danke werd gleich mal ausprobieren
 
thx, werds mir auch mal anschauen ;)

hab neulich auch nen netten [g=365]synthesizer[/g] gefunden, lol, weiß nur noch nicht wie man töne raus kriegt

:D

http://www.csbio.com/cs136xt.html
 
Nimm den Hammer ! :D
 
Ich kann doch gar kein Französisch.
 
bei 6 mb müsste schon viel drinn sein.
bin gespannt.
danke nochmal
:)
 

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